Only six years after the release of EIN WALZERTRAUM, the 1925 German silent
based on the operetta inspired by Hans Muller's novel Nux, der Prinzgemahl, Ernst Lubitsch
gathered Maurice Chevalier, Claudette Colbert and Miriam Hopkins, moved them into
Paramount's Astoria, Long Island, studios, and made this musical as well as a
French-language version, LE LIEUTENANT SOURIANT, with the same cast working from a new
French script by Jacques Bataille-Henri. The delightful story is set in Vienna, where Niki
(Chevalier), an officer of the Royal Guards, shares romance and an apartment with Franzi
(Claudette Colbert), a violinist. During a state visit to the Austrian capital by King
Adolf (George Barbier), his desperately plain daughter, Princess Anna (Miriam Hopkins),
mistakenly believes that the smile Niki has intended for Franzi was actually directed in
her royal direction, but is convinced the handsome soldier is only being kind. When Niki
protests that he finds the princess attractive, she falls in love with him, and in no
time, bound by his duty to his country, he finds himself married to her. Niki refuses to
consummate their marriage, however--that is, until Franzi does a makeover job on Anna that
sends the guardsman's head reeling.
The operetta plot bears little resemblance to reality, but the players are
so good, the dialogue (by Lubitsch, Ernest Vajda and Samson Raphaelson) so witty, and the
direction so skillful that no one minds the logic lapses. The music is delightful, and the
songs include such bon-bons as "Spruce Up Your Lingerie." Made and released
during the Depression, THE SMILING LIEUTENANT offered welcome escapism for a public
reeling under too real economic woes. Colbert--warm, sweet, with touches of sadness--is in
wonderful form, and proves to be a fine singer to boot. Hopkins, meanwhile, enjoyed her
first major opportunity to display her considerable comic prowess as the princess in need
of a makeover, and Chevalier is in his best and most typical form. This was the noted
French entertainer's first work together with master director Lubitsch after their
successful collaboration on THE LOVE PARADE two years earlier, and the result is an
utterly charming film that was box-office hit. |